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Academy · Research Writing · Figures at production

Why figures fail at production, not at review

A figure that reviewers praised can stop a paper for three weeks after acceptance. Production checks things peer review never looks at, and the four that cause most delays are all fixable before submission at no cost.

Pubrica AcademyWritten by the medical writing and biostatistics teams Reviewed byPubrica scientific illustration team Published11 March 2026 Last checked29 September 2026 Reading time4 minutes

Two different checks, weeks apart

A reviewer looks at a figure on screen, at whatever size their PDF reader chose, and judges whether it supports the claim. Production looks at the file: its resolution at printed size, whether its fonts are embedded, its colour space, and whether the text is legible at the column width the journal will actually use.

Nothing a reviewer does tests any of that, which is why the failure arrives after acceptance — at the point where you are waiting for a DOI and the fix now means remaking figures you last opened months ago.

The cost is time, not money

A production query is usually a one to three week delay, sometimes more if the original data files have moved on. The work to prevent it is about an hour per paper, done before submission.

The four that cause most queries

  • Resolution measured at the wrong size. A figure is not “300 dpi” in the abstract — it is 300 dpi at a stated physical width. An image that is 300 dpi at 20 cm is 150 dpi at 10 cm, and most journals print at a single or double column width well under what authors assume. Check the journal’s stated column widths and size the figure to them.
  • Fonts not embedded. A vector file referencing a font the printer does not have substitutes another, which moves text, overlaps labels and occasionally changes a minus sign. Embed fonts on export, or convert text to outlines where the journal allows it.
  • Colour space. Screens are RGB; some print workflows are CMYK. Saturated RGB blues and greens shift noticeably on conversion, and a figure whose meaning depends on distinguishing two similar colours can lose the distinction.
  • Text too small at final size. Axis labels set at 6 point on a figure that will be reduced to half width end up at 3 point. Set the figure at final size and read the labels at that size before exporting.

Choosing the file format

Use a vector format — EPS, PDF or AI — for anything drawn: line graphs, bar charts, diagrams, flow charts. Vector scales without loss and prints crisply at any size. Use a raster format — TIFF, or PNG where the journal allows it — for anything photographed or captured: micrographs, gels, scans, clinical images.

The mistake that causes the most avoidable loss is exporting a drawn chart as a screenshot. Once it is pixels it cannot be recovered, and a reviewer will not notice while production will.

Colour that survives more than one reader

About one in twelve men of northern European descent has a red-green colour vision deficiency, and a substantial number of readers will print your figure in greyscale regardless of what you intended. Both problems have the same solution: never let colour be the only thing carrying the distinction.

Add a second channel — line style, marker shape, direct labelling, hatching. Then check the figure twice: convert it to greyscale and look at it, and run it through a colour-blindness simulator. Palettes designed to be safe under both conditions are freely available and worth adopting as a default rather than a fix.

Image integrity, which is checked and enforced

Journals increasingly screen images for manipulation, and the rules are stricter than most authors assume 1. Adjustments to brightness and contrast must be applied to the whole image, not to part of it. Splicing lanes from different gels requires a visible divider and a statement in the legend. Nothing may be added or removed.

Keep the unprocessed originals. Editors ask for them, sometimes long after publication, and an author who cannot produce them is in a difficult position whether or not anything was done wrong.

Before you submit

Open the journal’s figure guidelines &mdash 2; they are usually a separate page from the general instructions for authors — and check five things: accepted formats, minimum resolution and the width it is measured at, colour space, maximum file size, and whether figures are submitted separately or embedded. Then size each figure to the stated column width, read the smallest text at that size, and export with fonts embedded.

Take-home message for authors and researchers

  • Size the figure to the journal’s stated column width first, then check the resolution at that size.
  • Embed fonts on export, and use vector formats for anything drawn and raster for anything captured.
  • Never let colour alone carry a distinction; check in greyscale and with a colour-deficiency simulator.
  • Keep the unprocessed originals. Editors ask for them, sometimes years later.

Common questions

Almost always because the resolution was measured at a larger physical size than the printed width. Resize the figure to the journal’s column width first, then check the resolution at that size.

Some journals accept them at submission; very few accept them at production. Even where accepted, export to a vector format for the accepted version, because what a slide contains is not what a printer receives.

It depends on the journal and it is stated in the instructions for authors. Where it does, legends are often the easiest place to recover a hundred words without losing content.

Free colour-blindness simulators are widely available, and converting to greyscale in any image editor takes seconds. Doing both catches almost everything.

Usually yes. Thesis figures are made for a page size no journal uses, and they commonly fail on width, font size and export format even when the content is right.

References and sources

  1. Council of Science Editors, recommendations on digital image integrity. read 18 September 2026. www.councilscienceeditors.org
  2. ICMJE Recommendations, section on preparation of figures and images. read 18 September 2026. www.icmje.org/recommendations

Each source carries the date it was last read. Where a standard moves, this article is revised rather than left up with a note.

How to cite this article

Pick your referencing style and copy it. Your university or target journal may vary the punctuation — check its guide if it has one.

Pubrica Academy. (2026, March 11). Why figures fail at production, not at review. Pubrica. https://pubrica.com/insights/figures-that-fail-at-production/

This article is written to be learned from. Cite it if you are referring to what it says; if you are using the evidence behind it, cite the sources listed above instead.

Pubrica AcademyWritten and maintained by the subject matter experts of Pubrica who do this work. Articles are revised when the standard underneath them moves, and each one carries the date it was last checked.

How Pubrica helps

Figure and artwork preparation redraws figures to a named journal’s specification, in vector where the figure is drawn and at the stated column width, with fonts embedded and a greyscale and colour-deficiency check on each one.

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